The Damascene Icon of the Mother of God, by ancient
tradition, was painted by Saint John of Damascus in gratitude to the
Theotokos for the miraculous healing of his right hand, cut off through
the perfidy of Emperor Leo the Isaurian. This icon is also known as “Of
the Three Hands” Icon of the Mother of God (June 28, and July 12).
In
the ninth century in the time of the Iconoclasts, Saint John of
Damascus (December 4) was zealous in his veneration of holy icons.
Because of this, he was slandered by the emperor and iconoclast Leo III
the Isaurian (717-740), who informed the Damascus caliph that Saint John
was committing treasonous acts against him. The caliph gave orders to
cut off the hand of the monk and take it to the marketplace. Towards
evening Saint John, having asked the caliph for the cut-off hand, put it
to its joint and fell to the ground before the icon of the Mother of
God. The monk begged Our Lady to heal the hand, which had written in
defense of Orthodoxy. After long prayer he fell asleep and saw in a
dream that the All-Pure Mother of God had turned to him promising him
quick healing.
Before this the Mother of God bid him toil without
fail with this hand. Having awakened from sleep, Saint John saw that
his hand was unharmed. In thankfulness for this healing Saint John
placed on the icon a hand fashioned of silver, from which the icon
received its name “Of Three Hands.” (Some iconographers, in their
ignorance, have mistakenly depicted the Most Holy Theotokos with three
arms and three hands.) According to Tradition, Saint John wrote a hymn
of thanksgiving to the Mother of God: “All of creation rejoices in You, O
Full of Grace,” which appears in place of the hymn “It is Truly Meet”
in the Liturgy of Saint Basil the Great.
Saint John Damascene
received monasticism at the monastery of Saint Sava the Sanctified and
there bestowed his wonderworking icon. The Lavra presented the icon “Of
Three Hands” in blessing to Saint Sava, Archbishop of Serbia (+ 1237,
January 12). During an invasion of Serbia by the Turks, some Christians
who wanted to protect the icon, entrusted it to the safekeeping of the
Mother of God Herself. They placed it upon a donkey, which without a
driver proceeded to Athos and stopped in front of the Hilandar
monastery. The monks put the icon in the monastery’s cathedral church
(katholikon). During a time of discord over the choice of igumen, the
Mother of God deigned to head the monastery Herself, and from that time
Her holy icon has occupied the igumen’s place in the temple. At the
Hilandar monastery there is chosen only a vicar, and from the holy icon
the monks take a blessing for every obedience.
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